Vintage DeArmond “gold foil” pickups found renewed popularity in the early 2000s and are now in high demand. As a result, they were often a guitarist’s first pickup. Since DeArmond's pickups were manufactured affordably, they were most commonly found on affordable guitar models. Throughout the 1960s, a customer could find DeArmond pickups on guitars from Airline, Harmony, Silvertone, Guild, Hofner, Ovation, Microfrets, D'Angelico, Epiphone, Fender, the Italian manufacturers Eko and Galanti, and more.
In addition to their soundhole pickups for acoustic guitars and the DynaSonic pickups for Gretsch, they were introducing new models, and making headway as the only company at the time focused solely on the manufacture of pickups. Throughout the Fender & Gibson lovefest that was the 1950s, our old friend the DeArmond company was producing pickups all the while. Gibson employee Seth Lover soon developed the first “hum-bucking” pickup, patented in 1955, and with that, the race to develop the next industry-shaking pickup innovation was on. The other is the P-90, introduced by Gibson to provide a warm tone with plenty of mid-range response. One is now known as the Fender single-coil pickup, first used on their lap steel guitars before being applied to their first solid body model, the Esquire, in 1950. As the magnetic pickup gained popularity, DeArmond supplied their pickups to several early solid body electric guitar manufacturers – notably Gretsch, who branded their DeArmond alnico pickups as “DynaSonic.”īy the electric guitar explosion of the early 50s, two preeminent pickups were introduced to the market. Perhaps the earliest recognizable magnetic guitar pickup was produced by the DeArmond company in the early 1930s, designed for installation in acoustic and archtop guitars. How did the pickup come about, anyway? THE MAGNETIC PICKUP - FIRST STEPS
In this article, I’ll highlight what are arguably the two most under-celebrated manufacturers of original pickup designs and mention several more one-off uniquities but before we discuss innovation, we must start at the source. Its invention and first application in the 1930s opened the door for a new category of instruments, but its true Renaissance came in the 1960s: the decade of pickup innovation diaspora. Without it, it would be – well – not an electric guitar at all. The pickup is the true heart of an electric guitar. Photo: Mosrite-inspired Valco 'EoC' Custom M-90 Pickups Like people, pickups have their own voices, and every once in a while, you’ll find one that you can really bond with. Some are louder, and some just like to make a lot of noise. Throughout this process, I kept coming back to one common thought: Pickups are a bit like people. Writing any article requires a bit of research, regardless of the topic.
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